​Community Ties

2024
​Installation at Le Maison Simons, Halifax, NS.
Manilla Rope, Nautical Rope
​Dimension variable
​Photographer: Nicolas Takushi

​My work reflects on the impact the many industries that Atlantic communities relied on for their livelihood. Fisheries, forestry, mining etc. When those industries closed or changed rapidly, how the communities were affected and responded to the changes. For example, in the early 90s, due to changes in fishing policy and practices many families found themselves out of work. This did not only affect income but was detrimental to the health and wellbeing of the family members and community. The outmigration of their dependants lead to rapid declines in population, resulting in the closure of public spaces and services. Due to the time period, it was more often that the men, husbands, were the sole income providers, and the stories focus on the effects of unemployment on them. However, the struggle of the women, the wives can be overshadowed.
 
For this work, I am using rope to represent the members of a community. The different paths taken, the way they can connect, split apart but come back together. When connected, they add more support to survive. The crocheted lobster rope is representative of the women in these communities. How they survived increased spousal abuse, alcoholism, taking care of their unemployed spouses on top of their existing responsibilities to their children and community. The crocheting is a metaphor for the complex and interconnectedness of their roles within the family and community. It’s addition makes it stronger as opposed to separate strands, but if one strand is cut the whole thing falls apart.