Melanie Colosimo
  • Home
  • About
  • 2022 One Pull
  • 2022 When is a fence a ladder?
  • 2022 - Crowd Control
  • 2021 Sync or Swim (NL)
  • 2021 Life Savers
  • 2020 What keeps things together, when things fall apart (NL)
  • 2019-2020 Maud Lewis and the Nova Scotia Terroir (China)
  • 2019 Art in the Open (PEI)
  • 2013 - ongoing Fences
  • 2016 Tower I
  • 2016 Tower (cut-out)
  • 2016 Weak Links
  • 2015 Beautiful illusions (NS)
  • 2014 Parentheses (NS)
  • 2013 Grids
  • 2013 Threshold
  • 2013 MTN(s)
  • 2013 Structure (SK)
  • 2013 Structure
  • 2012 SAYWWYHL (NL)
  • 2011 SOMETHING NEVER HAPPENS
  • 2011 SAYWWYHL (ON)
  • 2011 Lost in Remembrance (ON)
  • 2010- 2011 Stay as you were when you had left
  • 2010 Alone Now With All of My Friends
  • 2010 Nocturne
  • 2009 Throwing Rocks
  • 2009 Your Train Has Already Departed
  • 2007 - 2008 Orange Series
  • Press
  • Home
  • About
  • 2022 One Pull
  • 2022 When is a fence a ladder?
  • 2022 - Crowd Control
  • 2021 Sync or Swim (NL)
  • 2021 Life Savers
  • 2020 What keeps things together, when things fall apart (NL)
  • 2019-2020 Maud Lewis and the Nova Scotia Terroir (China)
  • 2019 Art in the Open (PEI)
  • 2013 - ongoing Fences
  • 2016 Tower I
  • 2016 Tower (cut-out)
  • 2016 Weak Links
  • 2015 Beautiful illusions (NS)
  • 2014 Parentheses (NS)
  • 2013 Grids
  • 2013 Threshold
  • 2013 MTN(s)
  • 2013 Structure (SK)
  • 2013 Structure
  • 2012 SAYWWYHL (NL)
  • 2011 SOMETHING NEVER HAPPENS
  • 2011 SAYWWYHL (ON)
  • 2011 Lost in Remembrance (ON)
  • 2010- 2011 Stay as you were when you had left
  • 2010 Alone Now With All of My Friends
  • 2010 Nocturne
  • 2009 Throwing Rocks
  • 2009 Your Train Has Already Departed
  • 2007 - 2008 Orange Series
  • Press

Fences

An ongoing series that began in 2013 examining the purpose and perception of fences.
​Projects are organized from newest to oldest. 
Picture
Picture
Picture
Coming or Going
​2019
Traffic Cones, wood
​304.8 cm x 274.32cm
installation in Victoria Park, Charlottetown, PEI as part of "Art in the Open" August 24, 2019

Picture
Picture
Picture
Cockblock
2018
gouache & ink on paper with sections cut-out
Collection of the artist
Photo Credit: Séamus Gallagher


Picture
Unravel
2018
ink on paper
208.2cm x 107.3cm
Collection of the artist
​

Picture
Shortcut
2017
ink on paper
208.2cm x 107.3cm
Collection of the artist
​


Picture
Shortcuts
2017
ink on paper
55.8cm x 76.2xm
​Collection of the artist
Picture

Picture
Crush(ed)/(ing)
2017
ink on paper
55.8cm x 76.2cm
Collection of the artist


Picture
Picture
​Chain-Link Fence
2015 - 2023
graphite on black paper, hand cut-out
182.88cm x 149.86cm (flat)
​installation variable
Collection of the artist
Photo credit: Jordan Blackburn

Picture
Untitled
(contour drawing of a fence on a 40ft scroll)
2015
graphite on paper 
1219.2cm x 30.48cm 
Collection of the artist
Photo credit: Jordan Blackburn


Picture
8 SHEETS OF STONEHENGE CUT-OUT LIKE A CHAIN-LINK FENCE
hand cut-out paper
(8) pieces of 38" x 50" stonehenge cut out like chain link fence. Each piece clings to the other with no adhesives. 
Dimensions vary depending on installation
2014
Photo credit: Steve Farmer
​

This work was created from 8 pieces of stonehenge paper. I drew a fence on each that took up the 38" x 50" sheet and cut out the negative space. The work can be installed differently each time. In this installation at Mount Saint Vincent University each sheet clings to the other organically. The work is attached to the wall by two pins at the top. I saved each piece of negative space that I cut out which I propose to recreate the fence as a quilt.

Picture
CHAIN-LINK FENCE
White chalk on black paper with sections cut-out by hand
82" X 104"
2014
Installation varies



Picture
BARRICADE FENCE (CROWD CONTROL)
(elongated drawing of a barricade fence)
graphite on stonehenge, sections cut-out by hand
140" X 110"
2014

Similar to the chain-link fence cut-outs I drew this barricade fence with graphite sticks, pushing all my weight and force into the marks. I then cut out the negative space.

Threshold (Chain-Link fence)
2013-2014
graphite pencil on paper
45.72 x 762cm

In "Threshold" I allowed the paper to roll up to the left and right of my hand as I drew the links of a chain-link fence. The process forced me to estimate the size of the preceding links as I continued to draw from left to right. The zones in the drawing that stray from rote description—the zones in which my memory or concentration momentarily failed—are precisely those most freighted with the dramas of struggle and recovery. The scroll is exhibited fully extended, but owing to the necessity of viewing it close-to, the viewer must retrace one by one the anomalies of scale and pattern that conspired to defeat the illusion.
  • Home
  • About
  • 2022 One Pull
  • 2022 When is a fence a ladder?
  • 2022 - Crowd Control
  • 2021 Sync or Swim (NL)
  • 2021 Life Savers
  • 2020 What keeps things together, when things fall apart (NL)
  • 2019-2020 Maud Lewis and the Nova Scotia Terroir (China)
  • 2019 Art in the Open (PEI)
  • 2013 - ongoing Fences
  • 2016 Tower I
  • 2016 Tower (cut-out)
  • 2016 Weak Links
  • 2015 Beautiful illusions (NS)
  • 2014 Parentheses (NS)
  • 2013 Grids
  • 2013 Threshold
  • 2013 MTN(s)
  • 2013 Structure (SK)
  • 2013 Structure
  • 2012 SAYWWYHL (NL)
  • 2011 SOMETHING NEVER HAPPENS
  • 2011 SAYWWYHL (ON)
  • 2011 Lost in Remembrance (ON)
  • 2010- 2011 Stay as you were when you had left
  • 2010 Alone Now With All of My Friends
  • 2010 Nocturne
  • 2009 Throwing Rocks
  • 2009 Your Train Has Already Departed
  • 2007 - 2008 Orange Series
  • Press